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The Ninth
National Black Writers Conference
An Evolving Process
A reflective piece by
Dr. Brenda M. Greene, Executive Director
Center for Black Literature
The Ninth
National Black Writers Conference: Black Readers and Writers: Transforming Their
Lives. Transforming the World An Evolving Process
It is with great
excitement that I look forward to one of Medgar Evers College’s most anticipated
events, the National Black Writers Conference (NBWC) sponsored by the Center for
Black Literature at Medgar Evers College. This celebration of writers and
scholars will be held from Friday, March 28 through Sunday, March 30, 2008.
The process of organizing and planning for a
conference is a multi-layered and comprehensive one and the Ninth Black Writers
Conference (NBWC) most definitely attests to that. Planning for the Ninth NBWC
began in 2006 almost immediately after the Eighth National Black Writers
Conference when I submitted a proposal to the NEA. In preparation for the
submission of this proposal I called upon my colleagues in the literary world
and on the advisory board of the Center for Black Literature (CBL). I am
especially indebted to
Ethelbert Miller, literary activist based at Howard
University,
Colin Channer, novelist at Medgar Evers College, Gregory Pardlo,
poet at Medgar Evers College, Dale Allender, Associate Executive Director of the
National Council of Teachers of English,
Susan McHenry, Senior Editor of Black
Issues Book Review, and Richard Jones, CBL Advisory Board Member. This team
helped me to formulate the conceptual framework for the conference. We went
back and forth with notes, names of writers, etc. My challenge was to sort
through all of the recommendations, feedback, etc and to develop a seamless
narrative for my proposal to the NEA. I am also indebted to the writers who
agreed to participate in the Conference before I knew I had adequate funding to
support the Conference. These writers served as the core of writers who agreed
to address the Conference theme.
After submitting the grant for the Conference
I worked to secure funding from other sources. I also established a conference
committee composed of the CBL’s Program Director, dedicated volunteers and
several paid consultants. Our conference committee is continually expanding and
it truly embodies the concept that it takes a village. We call upon the college
community and friends of CBL for our support. I also continue to call upon and
receive support from the initial team as well as from President Jackson of
Medgar Evers College. The process for the planning and execution of this
Conference is an evolving one that requires a collective spirit and energy.
The National Black Writers Conference has
become such an institution that many writers agree to participate just because
they are pleased to have an opportunity to be part of the experience. They
treasure being in the company of so many writers and as
John Edgar Wideman,
Center for Black Literature Advisory Board Member and participant at several
National Black Writers Conferences reminded me, it’s not about the money. This
Conference is truly the realization of the dream of
John Oliver Killens, the
founder and visionary leader for the first Conference that was held at Medgar
Evers College Although we hold the Conference every two years rather than every
year as Killens desired, we are ensuring that writers, readers, booksellers and
others in the literary world come together to discuss and document the issues,
themes and direction of black literature.
One of the niches of the National Black
Writers Conference is that we are not solely an academic conference although the
Conference takes place at Medgar Evers College of the City University of New
York. We take care to invite writers who dress our conference theme. We
believe in introducing our audience to writers they may not normally encounter
in traditional bookstores and in their schools. Our goal is to expand the
readership of black literature. Thus we attempt to reach a broad range of
people: writers, booksellers, agents, editors, the general public, students,
educators and academics. We also try to reach an intergenerational audience and
to ensure that our conference participants represent emerging as well as more
established writers. In short, we want to have one large gathering of readers
and writers that is representative of a cross-range of people.
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Meditations and Ascension: Black Writers on Writing
Click to order via
Amazon
by Brenda M. Greene (Editor), Fred
Beauford (Editor)
Paperback: 300 pages
Publisher: Third World Press (May 1, 2008)
Language: English |
The theme of the ninth conference builds on
the theme of the 2006 National Black Writers Conference sponsored by the
Center for Black Literature at Medgar Evers College which explored the ways in
which black writers are working in all literary genres and are taking new
directions in those genres. Conference panelists responded to the theme:
Black Literature: Expanding Conversations on Race, Identity, History, and Genre
and addressed issues such as the complexity of identity and race, the blurring
of genres, and the rise in speculative fiction, memoir, biography, and
historical fiction. Panelists discussed the ways in historical narratives
portrayed the complexity of the racial history of black people and redefined the
past and future. They analyzed the impact of multiculturalism and the ways in
which black writers portrayed issues of race and identity; and they discussed
how speculative fiction allowed black writers to create alternative realities
where they were the centered, realities where race did not necessarily make a
difference, or cautionary tales as those portrayed by the late Octavia Butler.
Our upcoming Ninth National Black Writers
Conference will explore the ways in which black writers use literature as sites
of transformation: aesthetically, culturally, historically, and politically.
Through panels, conversations, and readings, writers and scholars will reflect
on how the literature of black writers is informed by this paradigm and will
pose their thoughts on future directions for black literature. In an interview,
author
Marita Golden noted, writers have a responsibility to transform the
world. In her view, writers do not write for readers but for themselves and in
writing for themselves they create avenues and in doing so may transform the
world.
Some of the questions we wish to raise are as
follows:
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Has the literature created by black
writers been transformative? |
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Can literature created by black writers have aesthetic and transformative value? |
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What impact does a
literature of resistance have on popular culture? |
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What impact does a
literature of resistance have on international politics? |
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How does politics
impact on the readership and what is published? |
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What strategies are
writers using to resist stereotypes? |
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How is black
literature redefining world literature and the American literary canon? |
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Have post 911 and
post Katrina events impacted on the literature produced by
black writers? If so,
in what ways? |
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What is the future of
black literature? |
I do hope that you find the conversations and
discussion from this Conference to be stimulating and thought provoking. We are
creating history and providing a venue to enjoy, critique, celebrate and
remember those who painstakingly take the time to document through literature
our joys, triumphs, experiences and history. We are empowering our writers and
empowering ourselves as readers. Please visit our website and look for our book
Meditations and Ascensions: Black Writers on Writing which will be published by
Third World Press in time for the Conference. This book represents the
proceedings of the 2006 NBWC.
Look forward to seeing you at the Conference.
Brenda
M. Greene
Ph.D., Professor of English
Executive Director,
Center for Black Literature
Medgar Evers College
For information about the Center contact:
Dr. Brenda M. Greene, Executive Director
Center for Black Literature
bgreene@mec.cuny.edu
www.mec.cuny.edu/blacklitcenter
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